In my book, The Heir to the Unexpected, I needed to keep the story easy to follow while staying true to the southern accent. As my wife still needs translation of Southern to Northern American English when we visit my real family down there, this isn’t always such an easy balance! One of the challenges to complicate this is how to capture a Southern accent at different educational levels- this goes well beyond the use of “ya’ll” and “ain’t”. Check out the IDEA (International Dialects of English Archive) : it’s was started by Professor Paul Meier as a resource for actors to hear real-life examples of specific English accents and dialects.
For example, I have a supporting character who didn’t finish high school and I therefore wanted her to speak in broken Southern American-English. As I began exploring character interactions, it became apparent that not only did I need to think about her accent, but I also had to rethink how I crafted those conversations based on her educational level. For example, if I wanted a character to make a statement like:
“Your mother’s turnip greens don’t taste as good as my mother’s because she doesn’t use enough ham bone fat to cook them.”
I need to adjust both the sentence structure as well as the specific language and pronunciation to read appropriately. This translates into something like:
“Ya mama’s greens ain’t as good as minz ‘cause they don’t glow enough.”
Imagine an entire chapter written with this type of accent/grammar style. I would be pushing the patience of you, the reader, to a point that you would likely quickly quit. So, to better align the accent, education level and conversation to one that the reader could more easily follow and enjoy, I decided to tackle it from this angle:
“You mama’s turnip greens don’t taste as good mine. They too healthy and fatless…”
From an author’s perspective, I need to get to know my characters before I start writing about them. To do this, I start by identifying the small things that make up their personalities and backgrounds. Having spent time in the creative industry, I like to do this visually. By using personas, I can shape their image and individualism more realistically with Pinterest boards.
To write about the plot outline process, I had to carefully balance not giving away every plot-line element in my current book while explaining how I landed on it’s structure. So, in order to shape a dialogue around this topic, I decided to dissect an existing story and re-tell it from a different character’s perspective. This technique has been used on many well known books and movies– it’s called the 
Today, most people have very little time or patience to deal with sub-par storytelling. I’m constantly reminding my friends and colleagues that web browsers are not the only reading devices with a back button; tablets have them too. The back button has become the new trash can. It’s easy to delete a downloaded digital book that doesn’t connect to you, thus freeing up your time for something more interesting.
For the last year and a half, I’ve been working on a book tentatively entitled The Heir to the Unexpected. This project has turned out to take a little longer than expected! While working on this project, I met and married my wife, have traveled around home and abroad, and have maintained my day job. During this process, my book began to change with me along the way. Sometimes it was more prominent in my day-to-day activities, and sometimes it was placed in the background as I reflected on life. Recently though, I decided it was time to complete this writing project.
